NO!
I was approached by the organization RefuseFascism.org to collaborate with graphic design. I ended up getting much more involved.
Refuse Fascism is a movement of people coming from diverse perspectives, united in our recognition that the Trump/Pence Regime poses a catastrophic danger to humanity and the planet and that it is our responsibility to drive them from power.
I designed the visual identity and over 40 templates for digital and printed matter, from posters, stickers, to full page ads for The New York Times and The Washington Post, and created 10 videos that launched one per day, ten days before the election of 2016.
I believe that art and design can serve as a force for social change. This perhaps ide-alistic and utopian vision was the foundation of graphic design when it emerged as a discipline in the 1920s and was what attracted me to the field. In a world that is crying out for concern, engagement, accountability, and commitment, artists and designers can make a difference by becoming actively involved in the question of who gets to say what and to whom, and how it is said. This is the platform from which I teach, practice and serve my community at large.
I designed the visual identity and over 40 templates for digital and printed matter, from posters, stickers, to full page ads for The New York Times and The Washington Post, and created 10 videos that launched one per day, ten days before the election of 2016.
I believe that art and design can serve as a force for social change. This perhaps ide-alistic and utopian vision was the foundation of graphic design when it emerged as a discipline in the 1920s and was what attracted me to the field. In a world that is crying out for concern, engagement, accountability, and commitment, artists and designers can make a difference by becoming actively involved in the question of who gets to say what and to whom, and how it is said. This is the platform from which I teach, practice and serve my community at large.
